After comparing 10 of the best headphones for mixing on the market, we found Beyerdynamic DT770 Pro to be the best overall.

Since there were so many brands on the market, it took days of extensive research, testing, and collecting feedback to help you make the wisest purchase decision.

In this top 10 review, we compared factors and characteristics that might be important to you, such as sound profile, frequency response, durability, and comfort.

When studio monitors are not a viable option, using studio headphones is your best bet.

That being said, the performance of headphones can significantly impact the audio reproduction of your tracks so keep reading to find the best studio headphones for your mixing needs.

Image Frequency Range / Driver Size / Impedance / WeightTop 10 Headphones for Mixing

Best Overall - Beyerdynamic DT 770 Pro

Best Overall - Beyerdynamic DT 770 Pro

Soft and comfortable reference headphones that are available with 32, 80 and 250 ohms transducers. An exceptional sound quality and a very dynamic soundstage.

5Hz-35kHz 45 mm 32-250 Ohm 270 g

Best For Home Studio - AKG-K701

Best For Home Studio - AKG-K701

An accurate audio reproduction and a great soundstage pwoered by AKG’s proprietary technology. One of the best headphones for mastering and mixing with open-back design.

10Hz-40kHz 50 mm 62 Ohm 235 g

Best Mid Range - Shure SRH840

Best Mid Range - Shure SRH840

Developed specifically for audio engineers and musicians for studio monitoring and mixing. An amazing value for the money.

5Hz-25kHz 40 mm 44 Ohm 372 g

Best Premium Monitoring Headphones - Shure SRH1540

Best Premium Monitoring Headphones - Shure SRH1540

Premium closed-back headphones made from aluminum alloy and carbon fiber. A truly refined audio performance and comfort.

5Hz-25kHz 40 mm 46 Ohm 286 g

Most Portable - Audio Technica ATH M50x

Most Portable - Audio Technica ATH M50x

An upgraded version of the best seller with a detachable cable for versatility when mixing or use on-the-go. Ear cups with passive noise isolation and large drivers deliver a renowned sound signature.

15Hz–28kHz 45 mm 38 Ohm 310 g

Best Budget Mixing Headphones - Samson SR850

Best Budget Mixing Headphones - Samson SR850

Unparalleled audio quality for the asking price. One of the best budget headphones for mixing on the market.

10Hz-30kHz 50 mm 32 Ohm 276 g

Best Value Headphones - Sennheiser HD 280 Pro

Best Value Headphones - Sennheiser HD 280 Pro

Gread sound and durable design made perfect for neutral listening. Good audio reproduction with some bass emphasis.

8Hz-25kHz 45 mm 64 Ohm 285 g

Most Versatile - Sennheiser HD 660 S

Most Versatile - Sennheiser HD 660 S

Pure and detailed critical listening headphones with stunning midrange reproduction. A true reference pair of headphones that is perfect for mixing.

10Hz-41kHz 38 mm 150 Ohm 260 g

Most Comfortable - Neumann NDH 20

Most Comfortable - Neumann NDH 20

Closed-back studio headphone for monitoring, editing, and mixing specifically designed for longer mixing sessions.

5Hz-30kHz 38 mm 150 Ohm 388 g

Best Classic Studio Headphones - Sony MDR 7506

Best Classic Studio Headphones - Sony MDR 7506

A perfect pair of time proven and tesed, comfortable, closed-back critical listening headphones with a great sound and minimal sound leak with a very reasonable price tag.

10Hz-20kHz 40 mm 24 Ohm 230 g

1. Best Overall – Beyerdynamic DT 770 Pro

If you need something that can handle most mixing needs without breaking the bank, you can’t go wrong with Beyerdynamic DT770 Pro.

Covering an entire audio range of 5Hz to 35kHz, this pair of studio headphones provides you with an unfiltered sound profile.

They have a rich bass that doesn’t overshadow the mid and high-end.

Also, they create a dynamic and wide soundstage rarely found in headphones in that price range.

Depending on what you need, DT770 Pro studio headphones from Beyerdynamic also provide some flexibility by offering three different impedances.

The 80Ω over-ear headphones offer a great compromise between their smartphone-friendly 32Ω and studio-ready 250Ω high impedance headphones, which need a capable audio interface to drive them.

As for comfort, these studio headphones are made of plastic with an adjustable metal headband and breathable velour-covered earcups. As a result, despite the snug fit, they are incredibly comfortable to wear even for long mixing and mastering sessions.

Despite being closed-back headphones, they are prone to sound leakage. You would have to replace the unit when the non-detachable cord breaks, but overall, these reliable studio headphones will last you a while with careful storage and usage.

Bottom Line

Beyerdynamic DT770 Pro provides exceptional sound quality and a dynamic soundstage with an affordable price tag. Thanks to the adjustable headband and large ear cups, you can comfortably go for longer mixing and mastering sessions. Albeit having a decently robust build, we wish the coiled cable was removable.

8/10
  • Capacity 90% 90%
  • Features 70% 70%
  • Ports / Connections 70% 70%
  • Value 90% 90%
POSITIVE
Excellent bass response and dynamic soundstage
Accurate sound reproduction
Three impedances to choose from
Comfortable with velour ear pads
Admired by music professionals
NEGATIVE
Some sound leakage
non-detachable coiled cable for long sessions Non-detachable cable

2. Best For Home Studio – AKG K701

AKG K701 has been in production for almost a decade – a feat if you consider how fast headphone models go out of style.

A favorite among audio producers, the success of these headphones is attributed to AKG’s proprietary Varimotion two-layer diaphragm and flat-wire coil.

These two revolutionary technologies helped develop the acoustic accuracy these studio headphones are known for.

They deliver deep bass, excellent mids, and airy treble with minimal distortion. The bass is not too punchy, which takes a while to get used to.

Overall, they have a flat frequency response that provides excellent analytical capabilities since you can hear even the slightest recording error.

With a 300-hour break-in time, it might take a while before you get used to the sound profile. But in return, your patience is rewarded with excellent spatial presentation and a wide soundstage these fantastic headphones deliver.

Despite having a metallic look, the AKG K701 is made with hard plastic for lightness. It also sports plush 3D-form ear pads and a padded genuine leather headband for an improved ergonomic fit.

Not only that, but they have low clamping force that minimizes ear pressure. Add all those factors together, and you get a pair of headphones that are comfortable for long sessions, greatly preventing ear fatigue.

The downside of having a plastic build is that it is not the most durable, especially when the non-detachable straight cables are considered. Being open-back headphones, you should expect some sound leakage, making them more suitable for home studio setups.

Bottom Line

AKG K701 delivers accurate audio reproduction and a great soundstage using AKG’s proprietary technology. To provide an ergonomic fit, they are equipped with a padded headband and 3D-form ear pads. There is some audio leak, yet they are one of the best open back headphones for mixing and mastering in a quiet home studio.

7.8/10
  • Capacity 80% 80%
  • Features 80% 80%
  • Ports / Connections 70% 70%
  • Value 80% 80%
POSITIVE
Ergonomic and comfortable fit
Great acoustic reproduction
Comfortable for long sessions
Excellent spatial audio playback
NEGATIVE
Not very durable
Bad audio leak

3. Best Value – Shure SRH840

Shure SRH840 sits comfortably in the mid-range in terms of features and price tag.

With precisely tailored frequency response, this pair of studio headphones produce a rich bass-leaning sound that is not too overpowering.

The vocals and guitar is where the headphones truly shine as they come across beautifully, without sounding piercing, delivering an enjoyable listening experience.

Although advertised to be professional monitoring headphones for audio recording, we find Shure SRH840 suitable for everyday use.

These studio headphones feature collapsible design, which makes them easy to store and carry around.

You can also replace the detachable cord with a shorter one if you intend to use these headphones on the go.

These wired headphones are not the most durable. To prolong their longevity, parts that are most susceptible to damage, such as the pads and cords, can be easily replaced.

Each ear cup can turn 180 degrees so you can mix with just one ear. The closed-back, circumaural design also keeps most of the external noise out and your tracks in.

SRH840 from Shure comes equipped with large ear cups and a padded headband that sits comfortably on your head to promote better comfort. However, it does take a while to get used to the bulky frame.

Bottom Line

Shure SRH840 delivers mid-range features with an affordable price tag. Thanks to the closed-back design, they produce studio quality sound with decent sound isolation. The build quality could have been better, but since some parts are replaceable, these reliable studio headphones can last you for years.

9/10
  • Capacity 80% 80%
  • Features 90% 90%
  • Ports / Connections 100% 100%
  • Value 90% 90%
POSITIVE
Good for both studio recording and casual listening Awesome tonal balance
affordable wired headphones with natural sound Good quality sound at a lower price
great isolation Decent sound isolation
Foldable design
Detachable cord
NEGATIVE
Not suitable for people with big heads
Bulky and loose ear cups

4. Best Premium – Shure SRH1540

If you are looking for the best pair of headphones for mixing that money can buy, consider Shure SRH1540.

These closed-back studio headphones deliver some of the flattest frequency responses the market has to offer.

With great low-end extensions and smooth highs, acoustic and vocal performances are at the forefront of its sound frequency range.

The bass response is not emphasized, but that is to be expected from headphones that prioritize a neutral sound profile.

You can still hear deep and rich bass – it is just not as exaggerated as consumer headphones.

Shure SRH1540 is one of the most durable studio headphones on the market. Every part of the headphones is built with premium material, like airplane-grade aluminum alloy, carbon fiber enclosures, and soft Alcantara-covered ear pads.

For comfort, the very flexible and padded headband is equipped with lockable adjusters on the sides to prevent slippage. The earpads are made with Alcantara and slow-recovery foam, which provides good sound isolation and is suitable for long mixing and mastering sessions.

These studio headphones also ship with many accessories, including spare pads, two detachable cables, and an extra-sturdy transport case with dedicated pockets for your components.

Bottom Line

Shure SRH1540 are the best studio headphones for mixing and mastering we’ve tested. They deliver superb audio performance, unmatched comfort, and solid construction. They don’t produce punchy bass, but rather an well balanced sound and neutral frequency response.

7.5/10
  • Capacity 80% 80%
  • Features 70% 70%
  • Ports / Connections 70% 70%
  • Value 80% 80%
POSITIVE
Solid and lightweight construction
well balanced sound for studio environment and casual listening Exceptional flat frequency response
excellent sound quality Expansive soundstage
Comfortable
Comes with a lot of accessories
NEGATIVE
Expensive
Questionable sub-bass performance

5. Most Portable – Audio-Technica ATH-M50x

Released in 2014, the Audio Technica ATH-M50x is one of the oldest players in the game and the most popular model Audio Technica has ever made.

These studio headphones have a relatively neutral frequency response with a slight bass-leaning sound profile.

Because of this, they genuinely shine at electronic and pulse-driven music as they produce an effortlessly robust deep bass.

They also deliver excellent sound accuracy in the mids to highs segment.

Audio-Technica ATH-M50x mastering headphones are acclaimed by many sound engineers

Except for a metal headband and a few aluminum highlights, these studio headphones are made with lightweight plastic. Despite the lightweight build, they feel solid and well-built to withstand drops and bumps.

ATH-M50x are the most portable studio headphones on our list. Like many older headphones, they use a 3.5mm jack that allows you to plug it into your phone without using an adapter. With a foldable design and shallow ear cups, they can be stored easily and used on the go.

They also come with three detachable cords – straight, coiled, and portable to better adapt for various uses, from studio recording to casual listening.

The new and improved padded ear cups are comfortable for long listening sessions and provide passive noise cancellation. However, these versatile headphones are made of non-breathable material, so you might have to take them off from time to time to prevent sweaty ears.

Bottom Line

ATH-M50x from Audio Technica offers the portability of consumer headphones and the analytical properties of studio headphones. The wide frequency response is consistent and balanced, albeit with a slight bass-leaning signature. The quality construction and durable build further contribute to making them one of the top headphones for mixing and mastering on the go.

8.8/10
  • Capacity 90% 90%
  • Features 90% 90%
  • Ports / Connections 80% 80%
  • Value 90% 90%
POSITIVE
Audio-Technica ATH-M50x are great for protability Portable and lightweight
Slight bass-leaning sound profile
Affordable
solid headband and ear cups Solid construction
coiled cable, straight cable and portable cable 3 detachable cords
NEGATIVE
Earpads are non-breathable

6. Cheapest Headphones For Mixing – Samson SR850

Since their release, Samson SR850 have been highly popular among budget-cautious audiophiles as they offer high-end features at a fraction of the price of premium studio headphones.

Using proprietary 50mm drivers, these studio headphones can accurately reproduce sound from a frequency range of 10Hz to 30kHz.

The flat response surprises with allowing you to hear all the tiniest details in your mixes.

The semi-open, over-ear design provides a dynamic and generous soundstage that helps you mix for live performances.

The trade-off is that they are prone to lousy audio bleeds. At the same time, sound-wise, Samson SR850 excel at producing some airy highs and full bass. Treble is bright and natural, making them some of the most suited headphones for mixing podcasts or acoustics.

Comfort, on the other hand, is where this pair of headphones falls short. The ear cups are a bit stiff even though they are made of velour cushions that fit snugly over your ear and provide extra comfort.

Despite having a self-adjusting headband, they have a high clamping force that can be hard on your head over more extended periods of time.

The build quality is as expected for a pair of headphones in an entry-level price bracket. Built entirely of plastic, they feel pretty decent and relatively lightweight. The cable is not removable, though, which means you need to store these cans around carefully.

Bottom Line

If you are mixing and mastering audio voices and want to keep your budget lean, you won’t go wrong with the Samson SR850. These studio headphones produce excellent mids and treble with great detail, allowing you to hear any recording flaws. Not the most comfortable from the lot, yet expected given how budget-friendly they are.

8.3/10

  • Capacity 80% 80%
  • Features 90% 90%
  • Ports / Connections 80% 80%
  • Value 80% 80%
POSITIVE
Great budget studio headphones
Natural listening experience
Wide and dynamic soundstage
Self-adjusting headband
NEGATIVE
Non-removable cable
Not suitable for long mixing sessions

7. Best Mid Range – Sennheiser HD 280 Pro

Only slightly more expensive than the Samson SR850, the Sennheiser HD 280 Pro is what you need if you are looking for professional studio headphones on a budget and are happy to spare a little more.

Despite being released nearly two decades ago, these studio headphones manage to match some high-end competitors in terms of sound production. They approach acoustic reproduction with a clinical take and represent the notes in your mix as they are.

With plenty of rich low-frequency responses, these studio headphones can handle a good amount of sub-bass presence without overpowering your track.

Treble and mids are equally crisp and clear, presenting every detail to you during critical listening.

Besides that, Sennheiser HD 280 Pro are reasonably comfortable even though they are made from plastic. The foamy ear cups help them sit nicely on your head without feeling their slightly-hefty 16 oz weight. Not only that, but they passively decrease all ambient noises up to 32dB.

To extend the lifespan, every part of these headphones is replaceable. Although it doesn’t have detachable cables, you can easily find parts on the internet to replace the broken parts yourself.

Bottom Line

Sennheiser HD 280 Pro can accurately reproduce your music despite costing very little, which might be why they have often been dubbed the modern classic. The lightweight plastic is the primary construction material, which feels fragile yet all headphone parts are replaceable and easily accessible.

8.3/10
  • Capacity 90% 90%
  • Features 70% 70%
  • Ports / Connections 70% 70%
  • Value 100% 100%
POSITIVE
one of the top picks for value Great value
Good noise isolation
Lightweight build
Clear, accurate sound
great choice for extra comfort and ergonomics Comfortable and ergonomic fit
NEGATIVE
The cable is not detachable

8. Most Versatile – Sennheiser HD660S

Sennheiser HD660S were designed and released based on the feedback received for its predecessors in the HD600 line.

Although they are a bit more expensive than your mid-range studio headphones, they provide a ton of value in construction and performance.

Like the rest of the HD line, they look classy with their oversized cups and black metal grill.

Entirely made of quality plastic, they are lightweight but durable at the same time.

The sound quality is a marked improvement from their predecessor as you get reliable sound without any micro-echo or harmonic distortion from these studio headphones.

With a wide frequency range of 10Hz to 41kHz, they recreate every note on your mix and reveal any flaws you might have missed. That being said, the Sennheiser HD660S are open-back headphones and are not the flattest pair on this list.

The basic audio signature of these open-back cans leans towards a warmer profile, which means they are perfect for music with bright mids and treble. The bass is low-thumping but prominent. The sub-bass is decent but falters a bit at high volume.

Thanks to the open-back design, they deliver an expanded and airy soundstage that never feels crowded or hectic. However, there is quite a bit of audio leak, making them more suitable for desktop and home use.

HD660S from Sennheiser delivers more than just exceptional performance for mixing and mastering. For example, the expansive soundstage makes them perfect for gaming and immersion-based activities. The less clinical sound profile would also satisfy any audiophiles. Overall – it’s the most versatile pair of headphones for mixing we’ve had.

Bottom Line

From low frequencies to high end, every note is distinct on the Sennheiser HD660S. The dynamic soundstage and superb studio quality sound make them perfect for many things in addition to mixing and mastering. If audio leaks are not of concern – you’ve got one the the best headphones for mixing and mastering, plus much more.

7.8/10
  • Capacity 90% 90%
  • Features 70% 70%
  • Ports / Connections 60% 60%
  • Value 90% 90%
POSITIVE
Lightweight and durable
reliable sound Open and dynamic soundstage
Decent audio representation
Versatile
NEGATIVE
Mediocre sub-bass response
Audio leak

9. Most Comfortable – Neumann NDH20

With Neumann NDH20, your long days in the studio will be more comfortable than ever.

These higher end closed back cans have padded memory foam earpads covered in a soft suede-like material that slowly molds to your ear.

The rubber-covered metal headband gives you just enough clamp to hold them comfortably on your head without putting pressure on you. As a result, these are one of the best studio headphones for long mixing sessions.

Headphones feel and look expensive with impeccable construction. The aluminum finish not only looks stylish but also makes them extra durable.

The ear cups can rotate 90 degrees, giving you more portability and the option to use them comfortably with one ear.

As for audio performance, Neumann NDH20 is not the most precise. The midrange comes across beautifully, with vocals and reverbs exceptionally well presented. The bass and sub-bass are understated but present. Overall, they are delightful to listen to, but they tend to have a brighter and airier sound profile.

Using the closed-back design, these cans isolate noise very well so that you can focus on your work. But on the other hand, this dynamic cramps and clutters the soundstage a little, which is typical of closed-backs.

Bottom Line

If you need studio headphones for long mixing sessions, Neumann NDH20 is a must to consider. With a mid-range price tag, you get a beautifully engineered piece of audio equipment built for comfort and durability. Although they are not the most linear, their impressive midrange-centered audio profile makes them one of the best mixing headphones on the market.

8/10
  • Capacity 90% 90%
  • Features 70% 70%
  • Ports / Connections 80% 80%
  • Value 80% 80%
POSITIVE
Great audio quality
comfortable headband and ear cups Very comfortable
Portable
Beautifully engineered and durable
NEGATIVE
Not very neutral
Somewhat closed soundstage

10. Classic Mixing Headphones – Sony MDR-7506

Another longtime favorite of music producers, the Sony MDR-7506 is a must-have in your mixing arsenal.

These budget studio headphones have consistently delivered a relatively neutral sound signature for over 20 years that is preferred when mixing music.

The treble and mids are slightly emphasized, which can be both good and bad.

On the other hand, the bass stays in the background with a low, consistent thumping that is prevalent but not overpowering.

They are sufficiently comfortable, but you might need to stretch them out a little before using them if you have a bigger head. Since they are made of plastic, they are lightweight but not that durable. The upside is that you can easily replace broken parts, such as headphone pads, with affordable ones available on the internet.

Sony MDR-7506 can produce notes within the 10Hz to 20kHz frequency range, allowing you to listen to every distinct sound for critical listening. They are perfect for budding YouTubers or DJs who want quality equipment without spending too much on their affordable price tag.

Bottom Line

Deemed as a long-time industry standard, the Sony MDR-7506 delivers a relatively neutral and accurate sound profile for a very affordable price. Although they are made of lightweight plastic, most parts are replaceable, effectively extending their service life.

8/10
  • Capacity 90% 90%
  • Ports / Connections 80% 80%
  • Features 80% 80%
  • Value 70% 70%
POSITIVE
good pair of quality headphones for studio recording Affordable, yet high quality headphones
spacious sound accuracy for studio use worthy of a reference headphone Spacious soundstage
Clinical acoustic reproduction
Foldable
NEGATIVE
Not very comfortable
Heavy coiled wire

Headphones For Mixing – Buying Guide

No matter what you need for your mix, we are confident that you will find the best studio headphones for your needs on this list, whether it is for fun or actual music production.

If you are looking for an inexpensive and durable workhorse, you won’t go wrong with the Beyerdynamic DT770 Pro. Available in three impedances, you can use these headphones with your phone or home studio. Not only that, but they are comfortable to wear for long periods in recording studios or at home.

However, when talking about comfort, nothing beats the Neumann NDH20. These headphones are built with breathable memory foam that molds to your ears. If you have more cash to splash, the Shure SRH1540 offers a lot of quality, durability, and comfort for a premium price.

Audio Technica ATH-M50x is excellent for a budding DJ since it is built to withstand the pressure of commuting while not compromising audio quality. Thanks to its sound profile, the Sennheiser HD660S is the best studio headphone for you if you are looking for something more versatile.

If you’re on a budget, the Sennheiser HD 280 Pro or the Sony MDR-7506 are the best studio headphones for mixing, delivering excellent performance at an incredibly low price tag.

What To Look For In Headphones For Mixing?

Type of headphones

There are three main types of headphones in the audio world: open-back, closed-back, and semi-open. Although closed headphones are generally used for music production, mixing and mastering, each of these designs has its strengths and weaknesses. We will get into it with a bit more detail below.

Comfort

Since most audio producers and audio professionals expect to mix in the studio setting implying long sessions, you shouldn’t compromise comfort and ear fatigue. When looking for a pair of comfortable reference headphones, you should look for a padded headband with minimal clamping force to avoid exerting too much pressure on your head. Not only that but using breathable padded covers on-ear pads can prevent your ears from getting too hot and sweaty, even when mostly doing casual listening.

Durability

Studio headphones are often an expensive investment, but they don’t usually last for a very long time. Especially if you use your headphones on the go, you should make sure that they can withstand a few accidental drops and a change of hands, which happen at recording studios or home settings.

A detachable cable is an incredibly precious commodity since cables are the first components to go. Some studio headphones are also made of heavy-duty components that are easily replaceable. That will save you many headaches since you don’t have to buy a new set every time a part breaks.

Impedance

Impedance matters if you want to use your headphones across several devices. The lower the headphone’s impedance, the better the audio quality it will produce when powered by less powerful devices like your iPhone.

In general, using normal headphones you should opt for something that is at least 30 to 50 Ohms for good sound quality, however, in a studio setting higher impedance of most headphones would protect them from damage resulting from overloading and also allows them to be used with a wider range of studio equipment.

Frequency response

Most studio headphones offer a frequency response where low frequencies start at 10Hz to high frequencies of around 3kHz, giving them the capability to accurately reproduce any sound a pair of human ears can hear. For reference, the standard frequency range a human can hear is between 20Hz and 2kHz.

Should I Buy Open-Back or Closed-Back Headphones?

The effectiveness of open-back and closed-back cans is a hot debate among music lovers, many sound engineers and audio industry in general. But before you make your final and solid choice, here are some of the things you should consider.

Closed-back headphones are generally considered better for audio mixing and mastering simply because they provide better sound isolation. You can actively listen to your mix and detect any acoustic flaws by blocking out ambient noise. Not only that, but this headphone dynamic also prevents other people from hearing your mixes, which allows you to monitor while commuting. Open backs tend to let external sound in, allowing noise, but sounding more natural, especially in noisy environments.

The downside is that closed-backs often provide a cramped or cluttered sound stage. Your eardrums are also subjected to more pressure, making these cans uncomfortable for long mixing sessions.

Closed-back headphones typically are more center-focused since your mix bounces off the backside of the closed back. Another issue is that your eardrums are subjected to more pressure, which can be uncomfortable if the cans are not appropriately padded.

Should I use studio monitors or headphones for mixing?

Most music producers and audio professionals use studio monitors because of the sound quality and spaciousness it provides. That being said, they are much more demanding since they have to be set up in an acoustically treated area like a studio environment.

Studio-grade mixing headphones offer a wide range of frequency responses, allowing you to listen to every note critically. You can also bring them with you as you commute to work on your mixes.

There is no answer as to which is better. Mixing with studio monitors in combination with headphones to cross-reference your work is the approach that many music producers take. However, if you are in an environment where noise would be a problem, a pair of high-quality mixing headphones can get the job done too.

Are Beats By Dre good for mixing and mastering?

Beats By Dre gained its reputation by offering consumer-grade headphones with impressive audio quality and style.

Precisely because of this reason, they are not the best studio headphones for mixing and are not recommended for music production and are not used by audio professionals. Since they are made to impress, the EQ is often skewed towards what is sonically pleasing. This defeats the purpose of using mixing headphones since you need something that can accurately and clinically reproduce sound.

Besides that, they are also not built to last since the components cannot be individually replaced. Without the heavyweight components and build quality that many mixing headphones have, you would buy a replacement unit when they eventually break. There are many headphones that would prove to be a better investment for a better bang for your buck.

Frequently Asked Questions

How comfortable are studio headphones?

Headphones for mixing can sometimes be worn for extended periods of time, as music production is a lengthy process, therefore they need to be comfortable. The two most important parts of mixing headphones that improve comfort are ear pads and the headband. Padded ear pads are essential as they greatly improve comfort and assist with acoustic exclusion. In addition, they help to block out extraneous noise from your surroundings and help you capture the finer audio details.

Should I get studio headphones or studio monitors?

If you are serious about having a sound studio, your studio set up should assume both headphones and monitors. Most sound engineers agree that for the purposes of recording and tracking headphones are most suited, however, monitors are better for mixing audio.

Where should you buy your headphones?

There are many online stores (including Amazon) that deliver great value and low-cost shipping. Also, depending on your ethics and customer support required, you may find it appropriate to buy from a physical store whether you are buying Bluetooth headphones or coiled cable high end headphones.